Copyright

in Wired  

In a statement, Internet Archive director of library services Chris Freeland expressed disappointment “in today’s opinion about the Internet Archive’s digital lending of books that are available electronically elsewhere. We are reviewing the court’s opinion and will continue to defend the rights of libraries to own, lend, and preserve books.”

Dave Hansen, executive director of the Author’s Alliance, a nonprofit that often advocates for expanded digital access to books, also came out against the ruling. “Authors are researchers. Authors are readers,” he says. “IA’s digital library helps those authors create new works and supports their interests in seeing their works be read. This ruling may benefit the bottom line of the largest publishers and most prominent authors, but for most it will end up harming more than it will help.”

The Internet Archive’s legal woes are not over. In 2023, a group of music labels, including Universal Music Group and Sony, sued the archive in a copyright infringement case over a music digitization project. That case is still making its way through the courts. The damages could be up to $400 million, an amount that could pose an existential threat to the nonprofit.

in IndieWire  

A rep for Paramount told IndieWire: “As part of broader website changes across Paramount, we have introduced more streamlined versions of our sites, driving fans to Paramount+ to watch their favorite shows.”

For now though, many of these series are not currently available on Paramount+, such as “The Colbert Report” or “The Nightly Show.” Even “The Daily Show” has only two of the most recent seasons, encompassing 2024 and 2023, available, despite decades of the show’s history. “South Park” clips used to be hosted on Comedy Central’s website, but the only place to watch full episodes of those are via Max, not Paramount+.

The likely reason for this? Cost cutting. In a town hall this week, Paramount’s “Office of the CEO” including co-chiefs George Cheeks, Chris McCarthy, and Brian Robbins, expressed plans to save $500 million in order to stave off profit drops and one day make Paramount+ profitable.

via Dan Gillmor
in The Art Newspaper  

A recent judgement on copyright in the Court of Appeal (20 November) heralds the end of UK museums charging fees to reproduce historic artworks. In fact, it suggests museums have been mis-selling “image licences” for over a decade. For those of us who have been campaigning on the issue for years, it is the news we’ve been waiting for.

The judgement is important because it confirms that museums do not have valid copyright in photographs of (two-dimensional) works which are themselves out of copyright. It means these photographs are in the public domain, and free to use.