There is much to gain from reading the short stories of Raymond Carver, especially for today’s conservatives. When he published in the ’70s and ’80s, Carver was unsurpassed in his popularity. Today his settings, for instance, would be immediately recognizable to the average Trump supporter: fishing trips, small farms, barber shops, motel rooms, bingo halls, and bars (plenty of bars).
His scenes are small or midsized towns in the Columbia Plateau, the Great Basin, or the Pacific Northwest (mostly coastless parts like Clatskanie, Oregon, or Yakima, Washington, where Carver was born and grew up, respectively). These regions were industrial, sleepy, homogenous, and poor during Carver’s time (he died an alcoholic’s death in 1988 at the age of 50).
Pretty much all his characters are white and working-class, a group largely sandwiched between privileged, coastal elites and handout recipients. These are people who cannot live in a world of make-believe and have to confront head-on the realities of belt-tightening, scouring for money for rent or hospital bills, cars on the verge of breakdown, etc.
Still, Carver’s plots do vary: an elderly man losing his farm to a slug infestation; a father who abandons the family dog because they can’t afford it; a postal worker who can’t stand a hippie couple who have moved onto his route; an apparently evicted man who moves the interior of his home outside for a “house party”; a depressed divorcee who finds inspiration from a double amputee, a door-to-door salesman, etc.