A young person wanting to learn something of American history could do worse than to watch the works of director John Ford (1894-1973).
One of the great American filmmakers—in my view, the greatest—Ford delved deeply and repeatedly into American history, and not just that of the American West for which he is most famed. You also have Ford’s films on the Second World War (including the award-winning war documentaries he made while on active duty for the U.S. Navy), Abraham Lincoln, and the Great Depression. There are Ford films that take place during the American Revolutionary War, the American Civil War, and the First World War. Themes addressed in his films include American race relations, immigration, religion, and urban politics.
One of Ford’s crowning achievements is the so-called Cavalry Trilogy, three films starring John Wayne about the U.S. Cavalry in the West, made between 1948 and 1952. They are all about the same subject and in roughly the same setting, but the story and characters are different in each.
I’d like to propose that John Ford had a second trilogy—perhaps more loosely connected than the Cavalry films, certainly less known and less celebrated, but still a triumph of All-American filmmaking and worthy of rediscovery.