The release last fall, after 44 years, of the Beach Boys’ abandoned masterpiece Smile is a milestone of American popular culture. Rolling Stone has called it “the most famous unfinished album in rock & roll history.” But Smile is also something much bigger. It is the pinnacle artistic achievement of a lost civilization, the middle-class, baby-boom, sun-soaked, clean-cut, work-hard-play-hard, bungalow-and-car culture of post-war Southern California. It was a paradise for the common man, one that produced legions of loyal and productive citizens, developed the modern aerospace industry, helped the West win the Cold War, and exported an attractive and fundamentally decent (if often vapid) vision of American life to every corner of the globe.
Western Migration
To understand Smile, you have to start by understanding the Wilsons, which requires understanding Hawthorne, California, circa 1961. In 1922, Murry Wilson arrived in Los Angeles at age five from Hutchinson, Kansas. His family was part of what journalist Carey McWilliams described in his classic 1946 study Southern California: An Island on the Land, as one of Los Angeles’s frequent “quantum leaps, great surges of migration”—in this case the 1920s oil boom that flooded L.A. County with white low-church Protestant burghers and strivers (mostly the latter) from the Plains and the Midwest.









